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Unveiling Anna Kavan
webpage,Devotees of Anna Kavan may well be surprisedùand perhaps a little put offùthat Peter Owen Publishers has brought out another biography of the acclaimed and esoteric author (Asylum Piece, Sleep Has this House, Ice, and Mercury). However, Jeremy Reed's prying book, A Stranger on Earth, has unearthed original material that uncovers a whole lot about someone who went to great lengths to turn herself into an enigma for posterity.
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A Stranger on Earth by Jeremy Reed
newspaperArticle, 07/07/2006On the cover is an old snap of Anna Kavan tinted to make her look like somebody she never could have been. Before colour photography, it was a profession: tinting photographs, flattering the sitter. If it was the novelist herself who agreed to this enhanced Anna, then the picture is probably a witness to another of her attempts to be just like everybody else, and that is painful.
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Outside the asylum of her mind
newspaperArticle, 25/06/2006Since we often hear complaints about the puerile state of current publishing, it is as well to remind oneself that exceptional work has often had a hard time of it in Britain. Henry James struggled to sell his greatest novels. James Joyce was published in Paris. Ronald Firbank paid for his own publication. D H Lawrence was reviled. But because literature is about extending reality, not repeating it, there is some law of creativity which guarantees that the exceptional is what survives. So perhaps it is no wonder that the esoteric and beautiful writing of Anna Kavan refuses to go away - but it has been a near thing.
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Literary Heroines to Love: Anna Kavan
magazineArticle, 07/122008This week is the fortieth anniversary of Anna Kavan’s death. Although these days she remains largely unmentioned by the mainstream media, without her the modern literary landscape that we know and love would be much more barren. Canonised female authors from Anais Nin to Virginia Woolf owe much of their experimental style and strength of voice to Anna Kavan.
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‘Senin’ okumanı istediklerimden : ANNA KAVAN , Buz.
blogPost, 2009(Helen Woods), 1901′de bir İngiliz ailesinin çocuğu olarak Fransa, Cannes’da doğdu. Zengin bir baba ile çocuğunu hem ezen hem de inkâr eden bir annenin kızıydı. 14 yaşındayken, babası ona “hayat boyu yalnızlık” bırakarak öldü. Kavan’ın müreffeh ama sevgisiz çocukluğu Avrupa ve California’da geçti. Yazmaya ilk kocası Donald Ferguson’la birlikte yaşadığı Burma’da (şimdiki Birmanya) başladı. Anna Kavan adını “Women’s Liberation için öncü bir çaba” olarak nitelenen Beni Rahat Bırak romanının kadın kahramanından aldı. Kavan, kahramanın nefret ettiği ve küçümsediği kocasının soyadıydı.
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Julia and the Bazooka
blogPost, 17/09/2009Anna Kavan is the author of Ice, a surreal sci-fi masterpiece about a woman and two barely distinguishable sadistic men, one who has enslaved her, and one who wishes to. The world is slowly turning to ice. She has the incredibly smooth and detached voice of mid-century English fiction, flawlessly written and absolutely clear, like Somerset Maugham or Graham Greene. The subject is always herself. This is what links her early realist work to her later surreal stuff. Anna Kavan (it is a nom de plume, taken from the protagonist of an early novel) was a lifelong heroin addict. She was suicidal. She called her syringe her bazooka. Hence the title of her last collection of short stories, Julia and the Bazooka.
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A stranger on Earth: the life and work of Anna Kavan
book, 2006None
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Sunday Confessions
blogPost, 03/06/2007I now shamelessly beg from Peter Owen.Honestly what has happened to me? They took instant pity and came up with a lighteningly quick copy of A Stranger on Earth, The Life and Work of Anna Kavan by Jeremy Reed to help fuel my Anna Kavan-fest.
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On Anna Kavan
blogPost, 09/12/2011Anna Kavan, born Helen Ferguson in 1901 was a very English - and at the same time utterly alien - novelist whose own life took on the quality of an existential mystery. Praised by JG Ballard and Doris Lessing, drawing on Kafka and anticipating slipstream long before it became a genre in British writing, her novels described eerie states of dislocation; a lifelong heroin user, her prose has a needle-sharp precision but her subject matter was never drugs.
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Doris Lessing reviews new Anna Kavan bio
blogPost, 17/08/2006A new biography of Anna Kavan, A Stranger on Earth, by that pest Jeremy Reed is reviewed by Doris Lessing here: Independent Online Edition > Reviews. I call Jeremy Reed a pest because he has managed to write either Fiction or Non-Fiction on nearly ever fun subject. Every time I turn around to see what's been written about Rimbaud or Artaud, there's that damn Jeremy Reed. And now he has this biography coming out on my favorite fiction writer, Anna Kavan. Underappreciated she is, but then again you might easily believe that this is the way she would have wanted it. Her work has often been compared to Doris Lessing, so her thoughts on the subject are relevant:
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The Parson - Anna Kavan
blogPost, 05/11/2007I picked up another of Anna Kavan's remarkable novels, The Parson, one of the last of her books to be published and this one post humously after the discovery of the manuscript in amongst Anna Kavan's papers at the McFarlin Library at the University of Tulsa.
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Anna Kavan – a unique modernist vision
blogPost, 2013It’s not quite correct to say that Anna Kavan has been forgotten. Her books are kept in print out of sheer dedication by her publisher, Peter Owen. My colleague at the University of East Anglia, Karen Schaller, teaches her novel Ice on her course Fiction After Modernism. And a recent paean to this same novel appeared in the Guardian.